Friday, 1 February 2013
History of a horror character- Dracula
History of a horror character
Count
Dracula
Count Dracula is the title character and main enemy of Bram Stoker's 1897 Gothic Horror novel 'Dracula'. He is shown as an typical vampire. Some aspects of the character are inspired by the Wallachian Prince Vlad the Impaler who was also known as "Dracula." The character appears
frequently in popular culture, from films to
animated media to breakfast cereals.
Although early in the novel Dracula is shown as
friendly, he becomes angry when his plans are interfered with. When the three
vampire women who live in his castle attempt to seduce Jonathan Harker, Dracula
physically assaults on. He then relents and talks to them more kindly, telling
them that he does indeed love each of them. Dracula is very passionate about
his warrior heritage. He has a somewhat primitive and predatory worldview.
He has usually had a strong Eastern European accent,
although the original novel only states that his spoken English is excellent, though strangely
toned, and doesn’t necessarily suggest that he is Eastern European.
His
appearance varies. He is described early in the novel as thin, with a long
white moustache, pointed ears and sharp teeth. It is also noted later in the
novel that sees him that he has a hooked nose and a pointed beard with a streak
of white in it. He is dressed all in black.
There have been many different takes on Count Dracula over the last century, ranging from Nosferatu to Twilight, which features modern day vampires, however, keeps the same themes from original vampires, such as feeding from blood and being killed with garlic and a crucifix.
There have been many different takes on Count Dracula over the last century, ranging from Nosferatu to Twilight, which features modern day vampires, however, keeps the same themes from original vampires, such as feeding from blood and being killed with garlic and a crucifix.
Analysing Horror Trailers- The Poltergeist
Analysing Horror
Trailers
The
Poltergeist
This trailer will be different in many ways
from the other two that I have analysed, due to the fact that it was made 30
years ago. For example, it doesn’t have the green screen at the beginning
stating legal terms etc., but instead states the director, Steven Spielberg,
then goes straight into the trailer. The trailer starts with a normal
establishing shot of a family moving into a new home. However, many of the conventions for a horror
trailer are still present. For example, all is calm to begin with, as is
typical of a horror trailer, even one of 30 years ago. This shows that the
conventions haven’t dramatically changed over the past 30 years of horror.
There is a narrative voice over for
the first 40 seconds or so, which describes the family moving into a new home.
This establishes the idea of normality, or calm before the storm. In a typical
horror trailer, the first 30 seconds or so is often calm, with long,
establishing shots. This shows the audience that there is equilibrium to begin
with. Once the shots become closer up and there become more edits, it shows the
audience that the equilibrium has been disrupted.
The locations which are established
are typical of a horror trailer of this type, a psychological. The first
location is the new house. Another location is the neighbour’s house across the
street. The final location used is what looks like an expert’s office, where
the main characters seek help, which is typical of a horror trailer.
The main character is established
fairly on in the trailer as the husband/wife of the new family. However, at
this point in the trailer (around 15 seconds) the audience are yet to know
whether the parents will be the heroes or the victims. The victim is
established after 35 seconds, as the little girl. The trailer shows the
uncertainty, as the music turns darker, the room is dark and it is nigh time.
This connotes mysteriousness and tension, which is a typical convention of a
horror trailer. The part of the trailer where the little girl is against the Tv
is the clear indication of the event, a typical convention of a horror trailer.
The audience know this because it is the first uncertain and mysterious scene,
whereas the first 30 seconds of the trailer was completely fine and normal,
with long, establishing shot, straight on angles etc.
The next minute of the trailer is
complete mayhem, with high winds, cars crashing, screaming etc. This is typical
of the final part of a horror trailer and fits in with the narrative structure,
the ‘big finish’ before the end, and the pace of the clips increasing. This
creates tension and uncertainty for the audience, in an attempt to make them
feel clueless and terrified. The trailer ends with a final scream of ‘what’s
happening?!’ which again confuses the audience and makes them want to know what
is happening. The final 15 seconds of the trailer shows the title of the film,
and calmness restored, with the voice over playing again. The voice over
informs the audience that the poltergeist ‘knows what scares you’. This is a
final scare for the audience before the end of the trailer.
Showing the title before the end of a trailer
is a typical convention, as it reminds the audience of the title of the film,
so that they are less likely to forget it, and more likely to go and see the film,
therefore making the company more profit. It ends with a small set of credits,
informing the audience of the most influential and important members of the
film. This brings the trailer to an overall close and settles the audience. Unlike
a more recent horror trailer, this trailer doesn’t have quotes from magazines,
explaining how ‘terrifying’ the film is. There are no quotes, probably due to
the fact that the ‘new media’ is nowhere near as influential as it is today,
and there wouldn’t have been as many magazines being made to give the quotes
and reviews about the trailer.
There are roughly 57 edits, and 24
close-ups. This is typical of a horror trailer. The reason why they put in so
many edits is to increase the pace of the trailer, which give a tense,
mysterious atmosphere for the audience to have to deal with. For example,
something may flash up only for a split second, and then go away again, which
leaves viewers clueless and this feeling of unknown could scare them or make
them nervous.
Thursday, 31 January 2013
Analysing Magazines- 2
Content
Code
Unlike the other magazine, this magazine is in English, and
is the well renowned ‘Empire’ magazine. It looks as if it is a horror special,
due to not only the typography on the magazine, but also the fact that is in
grey scale and has a mysterious picture as the cover picture. The forest
connotes mysteriousness and to some viewers may connote terror. The black
figure in the middle of the page leaves the audience wondering what it is,
which could again bring fear to them. In my opinion, the figure looks like the
grim reaper, which is often associated with death and horror. We can tell that
the picture has been taken in autumn, probably late October, as most of the
leaves have fallen from the trees and have fallen onto the floor. This suggests
that it is near Halloween, which is regarded as the scariest day of the year.
Technical
Code
Shot
Distance- The shot is a medium shot of a hooded creature in the woods.
This creates mystery and suspense for the audience, which could cause the
reader to buy the magazine.
Camera
Angle- The camera angle is straight on but is at a slight low angle,
looking up at the creature. This could connote hierarchy and show that the
hooded creature is powerful and that the audience should be afraid and
intimidated by it.
Focal
Depth- The black and white photo is clear, but dark, which connotes
mystery and possibly death? The picture is in shallow focus, with the trees in
the background slighty blurred, which draws the reader’s attention to the
hooded creature.
Typography-
The title of the magazine ‘Empire’ is globally known, and is in red to
signify horror. It is on a black background, which stands out, drawing the eye
of the reader straight to it. The title of the film ‘Subliminal’ is in a
spooky, confused font, which again connotes more uncertainty for the audience,
which could also link to horror. The rest of the writing is in red and white,
causing them to stand out from the picture more. The magazine only has three
colours for fonts, black, red and white, which is typical of a magazine cover
as and more coloured fonts may make the page look messy and unorganised.
However, one less colour could make it look boring and uninteresting. I think
that the makers of this magazine have found a good balance of the number of
colours and fonts that they have used on the front cover.
Wednesday, 12 December 2012
Analysing Magazines- 1
Content
Code
It is clear to see that this magazine is not made or
published in the UK. However, the black/grey background colour connotes horror
and gives the magazine a scary feel, instantly informing the audience that this
magazine is a horror magazine. The main photo is on a young girl looking
straight at the camera. The way in which she has been shadowed gives the
magazine a scary edge, as most of her face is covered by shadow. This could
connote mystery, making the audience wonder who the girl is and what she is
doing. Her posture connotes evil and mysteriousness. The clothes the girl is
wearing are those that would have been fashionable in black and white photos,
in the 1920s, and so makes her look more frightening for the audience, who may
associate her with terrors and fears of their own such as ghosts. The photo is
in black and white to make the girl look more intimidating and possibly
ghost-like.
Technical
Code
Shot
Distance- The shot is a close up of the young girl, allowing the
audience to see her face and expression clearly. It is obvious to see that by
the girl’s expression, she is not in a good mood.
Camera
Angle- The camera angle is pretty much straight on however is at a
slight low angle. This could connote superiority and show that the young girl
is powerful and that the audience should be afraid and intimidated by her.
Focal
Depth- The black and white photo has a grainy quality which gives it
an old, Victorian age feel, making the audience feel scared as they may
naturally associate it with ghosts, which is a common fear among the public.
Typography-
The main title of the magazine ‘Calssicos do Horror’ is in black writing
set on a yellow background, which stands out clearly compared to the rest of
the page. The yellow background is given an effect where it looks as if it has
a rip, which could be associated with horror. Adding to this, the font of the
title is quirky and canted, which is also associated with uncertainty, which
could also link to horror. The rest of the writing is in yellow and white, with
the more important words or titles being in yellow so that they can stand out
more. The magazine only has three colours for fonts, black, yellow and white,
which is typical of a magazine cover. Too many colours make the page look tacky
and messy, but at the same time, not enough colours make it look boring and
uninteresting. I think that the makers of this magazine have found a good
balance of the number of colours and fonts that they have used on the front
cover.
Thursday, 15 November 2012
Analysing Posters- Halloween
Content
Code
The background of the poster is black which could connote
death or mystery, leaving the audience feeling anxious or scared. The image
shows a pumpkin the style of what looks like a claw/hand. The pumpkin
represents Halloween and so connotes frightfulness, and the clawed hands also
could leave the audience feeling anxious. The hand is clearly a man’s hand, due
to the size and shape of it. This tells the audience that the killer is
probably male. The hand is holding a knife, which instantly informs the
audience of the genre of the film; Horror. The knife has a shiny twinkle at the
bottom to connote sharpness, showing that it is a deadly weapon. The tagline
‘The Night He Came Home’ leaves the audience intrigued. Who is it that came
home? This in turn could frighten them into going to see the movie, therefore
making the company more profit.
Technical
Code
Unlike the other two posters which I analysed, the image has
been drawn/created rather than using a photograph. Because of this, it is
difficult to discuss the shot distance and angle, although the drawing has been
drawn from a low angle, which could be to make the knife look bigger and
therefore scarier.
Typography- The
title ‘Halloween’ is in bold white across the top of the page, making it stand
out from the black background. It has an orange border, which keeps the theme
of Halloween and Pumpkins. The tagline has the same house style, making the
poster look more realistic and professional.
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